Things You Need To Know About Art Investment

May 16th, 2012

Cultured people would tell you that investments in art could provide them with more satisfaction than other types of investments. This is because artwork is appealing and beautiful pieces of art can sometimes enhance the quality of their daily lives. Nevertheless, they would tell you that investing in portraiture carries as many risks as investing in bonds, stocks, and properties. Additionally, they feel a need to justify their purchases as part emotional.

The reason for that is the art world has smaller amount of regulations in comparison to the financial industry. If you were considering investing your money in artwork, you should know that a small amount of legal protection is in place for this type of investment. One of the things you need to focus on when you invest in prints is to check for fakes.

This means you need to do some homework before you invest in any paintings, because frauds would try their best to imitate the work. Therefore, you need someone experienced to look into the artworks before you make any purchase. You should look out for signed artwork, as the signature might be forged. You can hire a professional to do further research on the drawings or paintings.

For those who are considering buying artworks from galleries, they should check the reputation of the establishments through the Better Business Bureau as well as with other buyers. Check if there have been any complaints charged against them in regards to the authenticity of the artworks that they sell.

Keep in mind that the old saying, buy low and sell high, applies to this type of investment as well.In the art world, one way to achieve this would be to invest in paintings of artists that are not renowned, but they have the potential to become well known with art collectors from all over the country. Bear in mind that predicting the artists’ future recognition or reputation is just as tricky as guesstimating the future income on bonds and stocks.

You should consider keeping your preliminary investments low by buying original signed prints by artists that have potential. They are a lot more affordable than sculptures and paintings. However, there is nothing to stop you, if you have the money to invest in the original artworks.

Some people are cautious about purchasing original paintings from auction houses because the fees charged can make the work very expensive and of course you must be sure that the article you are buying is really genuine and has not been damaged, which can in some cases render it worthless, some auction houses are better than others, so beware. The auction houses charge higher fees to recoup costs for advertising and arranging the auctions. Many people that are not familiar with art investment tend to be surprised that the auction houses can charge as high as twenty five percent plus vat of the initial price of the arts sold.

You need to remember that if you invest in large piece of artwork, you may need to use a transportation company to send the artwork to your house. The artwork needs to be packed perfectly to avoid being damaged during transportation. It would be a smart move to insure the paintings to prevent losing your investments. Think thoroughly before you make your final decision.

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Book Review – The Economic Institutions Of Capitalism By Oliver Williamson

May 15th, 2012

In this book, Williamson presents a refined and elaborated version of his transaction cost theory that he had first outlined in his 1975 book Markets and Hierarchies: Analysis and Anti-trust Implications. His book attempts to systematically examine those economic issues that classical economic theory simply assumes away. The classical economics believes that markets are perfect, and if they are not then the action to remove market failures needs to be initiated. Williamson, on the other hand, focuses on these economic issues that are acknowledged to be widely prevalent in any economic system. “If complexity is deep in the nature of things economic then that ought to be acknowledged rather than suppressed. An equilibrium approach to economics is thus preliminary to the study of main issues (Hayek on P8).” This book, then, is a scrutiny of such economic phenomenon as market structures, monopolies, anti-trust policies, labor policies, public utility regulation, vertical integration and other economic institutions that have traditionally been neglected by the economic theory.

His basic proposition that most of us are familiar with by now is that the transaction costs should be treated as a fundamental unit of analysis for understanding such issues. Drawing on three streams of research- economics, organization theory and contract law, he repeatedly highlights the need to consider the governance (or transaction) costs. “Rather than characterize the firm as a production function, transaction cost economics maintains that the firm is more usefully regarded as a governance structure (P13).” While his basic argument appeared sound and plausible, I got an impression that Williamson attributed more to transaction costs than it deserved. Why should we regard only governance costs? Why should we think that the firm is only a governance structure? In other words, in my view, instead of correcting an existing flaw in the theory, he seems to be, to borrow the stock market jargon, proposing an over-correction. The field would be better off considering a cost function that combines both production and governance costs or at least choosing the concept based on the specific requirements of the situation or problem at hand.

Having said that, let’s now delve into the foundations of the transaction cost economics which is first three chapters in the book. Until this book, Williamson considered opportunism, bounded rationality, frequency and uncertainty to be the building blocks of TCE. However, in this book, he rightly puts forth asset specificity alongside opportunism and bounded rationality as the three legs of TCE. “Any attempt to deal seriously with the study of economic organization must come to terms with the combined ramifications of bounded rationality and opportunism in conjunction with a condition of asset specificity” (P42), which is assumed to be the most critical dimension of TCE (P30). Without asset specificity, markets are believed to be in a competitive world even if people are opportunistic and rationally bounded. This is because buyers and sellers can freely move between market players.

In contrast, uncertainty and frequency drop down a tad bit in the scheme of things. Now, they are supposed to be meaningful in presence of first three elements only. Conceptually, this makes a lot of sense. Take for example, if market players are uncertain about the outcomes, but they believe in the fairness of the parties to contract, the market mechanism would be adequate to deal with all the contingencies since the players would share equitably in the profits. However, we understand that such a behavioral assumption would be wrong since opportunism and bounded rationality are common behavioral traits. What intrigues me, albeit, is that if they are such common traits, then why they should even be made variables in the model. After all, a variable that doesn’t vary is no variable at all. It is not surprisingly, therefore, to see most literature to refer only to asset specificity, uncertainty and frequency as the three pillars of TCE. Williamson himself seems to acknowledge this in a subsequent chapter when he mentions that “principal dimensions for describing transactions are frequency, uncertainty and asset specificity (P242).”

After outlaying his conception of economic fundamentals, Williamson proceeds on to explain the boundaries of firm, which is to say what transactions will take place in market and what within the hierarchically organized structures. In his opinion, if the expected costs or risk of transacting in a marketplace are higher than the cost of organizing the functions internally, then such transactions will take place within the firm. If we ignore his exaggerated claims, this is indeed novel and useful approach at looking the firm size and boundaries. No longer is the size of firm held irrelevant as is the case in classical economics. No longer is it believed that the firms will operate at marginal cost whether they produce internally or buy externally. It opens up a can of worms that classical economics under its perfect market and equilibrium economics assumptions puts aside as aberrations. This is a welcome change in the approach to the study of industrial economics.

Next, Williamson moves on to the main theme of the book: providing alternative explanations vertical integration, mergers and monopolies, and joining issues with anti-trust enforcements. He believes that vertical integration results not because of technological determinism or a desire for monopolistic power but from a pragmatic desire to economize on transaction costs. In the similar vein, he contends that non-standard contracting practices such as long-term contracts are not monopolistic practices, but perfectly justifiable attempts at minimizing transaction costs. Further, he attributes such decisions “to a condition of asset specificity (P86)” since asset specificity in conjunction with uncertainty “makes it more imperative to organize transactions within the governance structure that have the capacity to work things out (P79).” The author makes a persuasive case for five out of six hypotheses on the boundaries of firm. However, his fifth hypothesis that claims that “firms will never integrate for production reasons alone” seems a little far-stretched. The fact that some firms organize for efficiency reasons doesn’t and can’t automatically preclude the fact that some firms organize for monopolistic or technological reasons. Once again, the author’s case would have been better served by refraining from such overstatements.

Next, Williamson turns his attention to analysis of such arrangements as can neither be classified as market contracts nor as hierarchical structures, but fall somewhere in between. Also known as hybrid structures, these include credible commitments, joint ventures, relational contracting, hostage models, reciprocal arrangements, and network relationships. His main claim is that even when such arrangements appear to be exercise of monopolistic power, they may be justifiable from transaction cost perspective. “A comparative institutional assessment of contractual alternatives discloses that efficiency purposes are often served by hostages and it is in the mutual interest of the parties to achieve that result. Not only can producers be induced to invest in the mutual interest of the parties to invest in the most efficient technology, but buyers can be induced to take delivery whenever demand realizations exceed marginal cost.” Interesting proposition, but it doesn’t explain the impact on the hostage (e.g. P&G) if the monopoly (e.g. Wal-Mart) decides to dump it! His second main claim derives from Coase’s 1960 article on problem of social cost. Recall Coase’s claim that when people are left to bargain among themselves, most economic externalities can be better resolved than when courts or other non-market interventions take place. Williamson develops on this proposition and claims that parties to a contract don’t normally take recourse to courts, but try to use “private ordering” to resolve their disputes. I would presume this would chiefly be out of concern for future business relations.

Let’s wrap up this review with a summary of strengths and weaknesses. For the strengths, I will let the Williamson speak for himself. To quote him, “As compared with other approaches to the study of economic organizations, transaction cost economics (1) is more micro-analytic (2) is more self-conscious about its behavioral assumptions (3) introduces and develops the economic importance of asset specificity (4) relies more on comparative institutional analysis (5) regards the business firm as a governance structure rather than as a production function and (6) places greater weight on the ex-post institutions of the contract, with special emphasis on private ordering as compared with court ordering.” -Williamson, P387

While the theory is conceptually persuasive and logically sound, a principal weakness of transaction cost analysis lies in its post-facto nature of analysis. Notwithstanding Williamson’s superb efforts, it has been rather difficult to define it in a way that it can be measured and tested. The theory in its current formulation continues to be plagued with a criticism that it’s tautological in nature, after all ex-post facto any system can be shown to be economizing on transaction cost or at least that it will be eventually replaced if it doesn’t. Therefore, transaction cost economics needs to find variables with predictive powers.

Williamson mentions three limitations of his work- its crude form, instrumentalism, and incompleteness. To me, these appeared more to be challenges for future research rather than any weaknesses in the theory. Besides occasional excessive enthusiasm and exaggerations and the difficulty in operationalization of the concept, a major challenge in reading this book is to be prepared to learn a new language! Williamson’s choice of words lives a reader with no less an impression.

Overall, Williamson does a superb job in developing the transaction cost economics that had first appeared in Coase’s 1937 article ‘nature of firm’, but had been left untouched until this work because of difficulties in operationalization and empirical testing. Williamson succeeded in overcoming most of these challenges and it is for the future researchers to meet the rest.

Reference:

Williamson, Oliver. The Economic Institutions of Capitalism. 1st. New York: The Free Press, 1985.

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Fundusze skarbowe-modelowanie finansowe

May 14th, 2012

Kredyty mieszkaniowe i budowlane w Banku BGŻ bez prowizji

W obecnym czasie w Banku BGŻ jest promocja kredytów hipotecznych i budowlanych, w tym pożyczek preferencyjnych świadczonych w ofercie programu Rodzina na swoim. W ofercie promocji Bank BGŻ nie ściąga opłaty przygotowawczej za udzielenie zobowiązania.

Wszyscy konsumenci, którzy złożą pełne wnioski pożyczkowe do 30 kwietnia 2011 r. i zdecydują się na otworzenie rachunku osobistego: Plan Aktywny, Plan 2, Plan 3, Plan Standardowy czy też Konto Plus, z wyznaczonym miesięcznym wkładem w wielkości co najmniej 2.000 zł, nie zapłacą opłaty za udostępnienie pożyczki.

Dzięki szerokiej sieci sprzedaży otwarcie konta i złożenie wniosku pożyczkowego jest możliwe w }jakim kolwiek|dowolnym} oddziale Banku BGŻ względnie u współpracujących z instytucją finansową pośredników internetowych.

Obecnie marża kredytu może wynieść aż 1,05 %, a RRSO od 6,2proc. W Banku BGŻ możliwe jest sfinansowanie 100proc wartości mieszkania oraz finalizowanie pobocznych kosztów (notarialnych, prawniczych). Oprócz zachęcającego oprocentowania, Bank oferuje też scalanie celów kredytowania i gwarantuje rozciągły okres spłaty do 40 lat.

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Cookbook and Food Magazine Addictions

May 10th, 2012

Hi my name is Christine and I’m a cookbook-food magazine junkie. Can’t collect enough, can’t stop by any checkout stand or book store food section without picking one up, thumbing through it, reading the side-bars, looking at the photos, wondering when my next fix will kick in. I have a constant longing, craving and yearning for the next one with pretty pictures, will it ever end? I have a collection of about 200 books; food, wine, dessert, entertaining, beverage there are so many that they now serve as decorative adornments (dust collectors) throughout my home. And the magazines, I have finally succumbed to tearing out the photos or recipes I truly want and put them in my working binder and recycle the rest of the magazine to my hair salon (how Green of me! Not really I just cannot bring myself to throw away a $5 magazine that I bought for just one recipe!).

I’ll admit in the beginning when the book was new I read it from cover to cover savoring every word, every photo and actually made some of the food porn that appealed to me the most. Speak to me in pictures don’t give me a cookbook without photos because it will never work between us. I need to see the food; desire it, lust after it, make the recipe and then move on. It just gets old after going through it a few times, same old recipes, same old pictures, same old outcome. OK this is beginning to sound like an article for the Dating Examiner I digress; the hard cover book with the glossy photo for every recipe is the type of book that gets me. Gets me every single time. Think of it as the bad-boy, type-A personality book. The one you can’t stay away from but the one you can’t stay with either. It’s the type of book that makes your knees buckle with its cosmetic beauty, makes you giggle with delight over its expansive and informative recipes with photos that take your breath away leaving you hungry for more.

OK this is a disease, the more you have the more you want, and for what? Let’s do the math, 200 books x say (conservatively) 100 recipes in each book = 20,000 recipes. 20,000!!!!!! Holy Mackerel! (I hate math, it’s so in your face). No I have never made, attempted to make or come close to making 20,000 recipes. That’s insane, 20,000 recipes! I know it, I read it, I just wrote it, it’s in black and white, and yet, the next pretty cover that catches my eye, I just may flirt with it but that’s where it begins and ends. No first date, no innocent glass of wine to peruse with. Well maybe a cup of mocha-java-yahoo with lots of whipped cream in the coffee shop just to sit with the book for a bit…

My list of personal favorite cookbooks, entertaining books and beverage books run the gamut for a host of reasons. My all time favorite and personal best is The Junior League of Boca Raton’s Savor the Moment, Entertaining without Reservations. Being a member of the Junior League of Boca Raton I worked on the committee that published this James Beard Award winning book; it’s still so personal to this day after all these years later. I was a recipe developer, test cook, recipe sampler, photo design layout person, set-up/clean-up person but then again so were the 200 other extraordinary women who volunteered their time and expertise to what has become a legacy in Boca Raton as a magnificent work of art and brilliance. I sound jaded and biased, a little, but the truth is every recipe was tested 3-5 times and the photo shoots agonized over for hours. Labor of love? Yes. A collectible book everyone should have? Yes, because it is a great entertaining book.

The Williams-Sonoma books, any and all. They are professionally tried, tested and true. You cannot go wrong with any of their books and they have pictures for every recipe!

Just starting out? Betty Crocker. She’s the one. Begin with Betty. The book is still the best introduction on basic and instructional culinary knowledge. Betty’s got so many versions but whatever the latest is that’s the one to give as a bridal shower gift, engagement gift or new apartment gift.

The Coastal Living Cookbook. For two reasons one because I am published in this book! And two if you’re a seafood aficionado, live, work or play near the coast then you will appreciate this book and all it has to offer. The recipes are tested and true, the photos make you want to buy a home on the water and entertain and cook for everyone you know. It’s a lifestyle, feel good type of book making you wish summer was a year-round season.

At Home with Carolyne Roehm. Just get this book for the pictures, you will learn so much about entertaining, setting tables, flower arranging and decorating just by looking.

Effortless Elegance with Colin Cowie. Exacting, Enchanting, Effortless. The recipes are delightful and delicious. The party tips and strategies, invaluable. My book is worn, tabbed, highlighted and used over and over again.

The Barefoot Contessa Cookbook. Gorgeous pictures with each recipe. Recipes are doable no matter your level of expertise or lack thereof. The recipes are timeless and delicious over and over appealing to myriad of food lovers and critics alike.

The Silver Palate Cookbook. The one and only exception to my rule of cookbooks must have photos or I kick you to the curb! This is gourmet. This is WOW! This is edgy. This is the most dynamic recipe book you will ever lay your hands on. Now with that said, this book is not for the faint of heart whimsical cook or spice lacking pantry. Pretty much you need to know your way around the kitchen, culinary terms and procedures if not, think going from the 1st grade to 9th and skipping everything in between, you won’t know what hit you. If you’re ready, the 25th Anniversary edition is on store shelves now.

101 Sangrias & Pitcher Drinks. Unless you have what rivals the W Hotel bar in your home you will need some outlet of escape to serve cocktails to your guests and this book has got it all; sweet, sour, fruity, minty, creamy, you get the point, now get the book.

Wine Wise. Brilliant, witty and comprehensive. Want to know more about wine? This is the book that will take you on travels to countries and trails of vineyards that you couldn’t even imagine existed.

That’s 10 listed books. Didn’t I say I had 200? I hate math, it’s so in your face.

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Szybki kredyt bez biku-załatwie kredyt

April 26th, 2012

Kredyty bez BIK należą na chwilę obecną do zdecydowanie najpopularniejszych produktów finansowych, jakie tylko przystępne są na całym rynku finansowym – faktycznie cały czas korzysta z nich całe mnóstwo użytkowników, ciesząc się równocześnie wszystkimi ich wartościami. Powinno się aczkolwiek zauważyć, że nie we każdych przypadkach są one tak przydatnym rozwiązaniem, stąd odpowiednio jest na wstępie dobrze zrozumieć całą ich specyfikację.

Kredyty bez zaświadczeń są pożądaną ofertą przede wszystkim dla kogoś, kto jest w tej chwili w skomplikowanej sytuacji kredytowej i nie posiada żadnej zdolności kredytowej, co w pełni odbiera mu jakiekolwiek szanse na pozyskanie typowego kredytu w banku.

Trzeba jakkolwiek pamiętać że Pożyczki bez bik przez internet są zawsze droższe niz kredyt gotówkowy w instytucji bankowej.

Naprawdę warto jest zatem nieco bliżej zrozumieć wszystkie Pożyczki chwilówki bez bik, nim postanowimy się na skorzystanie z tej pożyczki. Faktycznie, w wielu sytuacjach są one dobrym rozwiązaniem, ale jednocześnie istnieją sytuacje, kiedy stają się po prostu bezużyteczne.

Pożyczki od ręki-pożyczki sms

April 21st, 2012

Pożyczki dla zadłużonych coraz atrakcyjniejsze.

W naszym kraju sektor wierzytelności dla zadłużonych stale się rozkręca. Powstało sporo towarzystw oferujących nawet kredyty dostępne w ciągu godziny.

Kredyty dla zadłużonych proponuje wiele instytucji na krajowym rynku. Towarzystwa takie jak Provident, czy popularne Kredyty chwilówki korzystają często z skomplikowanej sytuacji wnioskodawcy, narzucając wysoki procent.
Rozwiązanie to jest niemniej jednak wytłumaczone, gdy nie zdołamy zapewniać zdolności płatniczej, ani dowieść przychodu.

Szybkie pożyczki

Coraz regularniej z tymi instytucjami w rywalizację wkraczają same banki, proponując zobowiązania konsumpcyjne bez poświadczenia o przychodach. Pożyczki te są znacznie oprocentowane, ale dostępne. Ryzyko instytucji finansowej jest wynagradzane naszymi wyższymi spłatami.

Warto korzystać w tych sytuacjach z usług konsultantów finansowych i znajdować najtańszy kredyt dogodny w danej chwili.

Kredyt bez zaświadczeń o dochodach-pożyczki chwilówki

April 10th, 2012

W tej chwili coraz większa ilość polaków potrzebuje kredytu. Wiedząc o tym instytucje bankowe, proponują tak nazywaną szybką pożyczkę

I choć hasło to w pierwszej chwili spotkało się z nadzwyczaj entuzjastycznym przyjęciem ze strony użytkowników instytucji finansowych, to aczkolwiek w rzeczywistości uwidacznia się, iż dostanie takiej szybkiej pożyczki zupełnie do bezproblemowych nie należy. Instytucje finansowe – przed udostępnieniem pożyczki na dowód – wymagają przeważnie od petentów posiadania swojego rachunku indywidualnego w ich jednostce. To niemniej nie wszystko.

Albowiem z użyczeniem takiej pożyczki powiązane jest wyższe ryzyko, więc na ogół od możliwego pożyczkobiorcy instytucja finansowa zażądać może dokumentu od pracodawcy, w którym będzie informacja o sumie pozyskiwanych przychodów. Poza tym często gęsto konsultowana jest również bieżąca historia kredytowa w Biurze Informacji Kredytowej.

Nie prędzej kiedy użytkownik szczęśliwie pokona całe wyżej przytoczone punkty, instytucja finansowa zgodzi się na udostępnienie mu szybkiej pożyczki na dowód. Jednakże aczkolwiek należałoby mieć pojęcie, że jest też inny wariant ekspresowej pożyczki, w przypadku jakiego pożyczający nie tylko, że nie będzie żądał dowodu o zdobywanych dochodach, to na domiar tego nawet niedobra historia finansowa czy także wpis do Krajowego Rejestru Długów nie będą powodowały zapory na drodze do zdobycia zobowiązania.

Taki wariant usługi dostarczają jednakże nie banki, a instytucje pozabankowe.

Anna Albingier
Ror.Pisz.Pl
Pożyczki pozabankowe

Finansowanie elektrowni wiatrowych przez EkoLeasing

April 2nd, 2012

Spółki Leasingowe BZ WBK jako pierwszy leasingodawca na polskim rynku wprowadziły do swojej oferty specjalny produkt umo& liwiający kompleksowe finansowanie elektrowni wiatrowych.

„Przede wszystkim chcemy uczestniczyć w projektach proekologicznych związanych ze zobowiązaniami, które Polska podjęła wstępując do Unii Europejskiej. Zgodnie z zało& eniami, do  2010 r. w naszym kraju powinny powstać elektrownie wiatrowe o łącznej mocy  od 500 MW do 1.000 MW, przy czym wartość tych inwestycji szacuje się na 600 mln – 1,2 mld euro” – mówi Wojciech Nowacki, prezes zarządu BZ WBK Finanse & Leasing. Największe projekty będą finansowane  z programu Infrastruktura i Środowisko, z którego Polska mo& e otrzymać a& 542 mln euro. Mniejsze inwestycje mogą liczyć na wsparcie z regionalnych programów operacyjnych oraz Programu Rozwoju Obszarów Wiejskich.

Spółki Leasingowe BZ WBK chcą równie& współpracować z firmami działającymi zgodnie z ideą społecznej odpowiedzialności biznesu. Zarówno opracowania analityków, jak i obserwacje działań prowadzonych przez du& e korporacje i mniejsze przedsiębiorstwa, pokazują, & e coraz więcej z nich decyduje się na działania eko-innowacyjne, które pozwalają na ograniczenie zanieczyszczeń środowiska i innych negatywnych oddziaływań, wynikających chocia& by z wykorzystania ograniczonych zasobów energetycznych. „Bez względu na ogólną sytuację makroekonomiczną istnieją obszary, których nie powinno dotknąć obni& enie poziomu inwestycji. Takim obszarem  z pewnością jest ochrona środowiska” – mówi Wojciech Nowacki.

„Mimo widocznego w ostatnich latach wzrostu zainteresowania polskich firm ekologicznymi technologiami, ich popularność w naszym kraju dotychczas była niewielka. Jedną z przyczyn stanowiła bardzo ograniczona oferta finansowania takich rozwiązań” – mówi Daniel Mrozek, kierownik Biura Wsparcia Sprzeda& y w Spółkach Leasingowych BZ WBK.

EkoLeasing umo& liwia finansowanie zarówno nowych jak i u& ywanych elektrowni wiatrowych (masztu wraz z turbiną i transformatorów. Oferta Spółek Leasingowych BZ WBK dotyczy leasingu finansowego oraz operacyjnego, równie& w formie leasingu zwrotnego; mogą z niej skorzystać przedsiębiorcy oraz rolnicy indywidualni.

Pierwsza umowa EkoLeasingu została podpisana w styczniu 2009 roku i dotyczyła siłowni wiatrowej  o wartości 1,3 mln złotych, zdolnej wyprodukować 1 mln kW energii rocznie. Inwestycja została zrealizowana w okolicach Kalisza.

How Can I Sing Better Harmony

April 1st, 2012

Many songs today, irrespective of their genres, are enhanced with some degree of harmonizing, between two or more singers. Perhaps you would like to find out how to sing harmony but wonder where you should start and what kind of training is involved. When harmonies are sung correctly they can significantly add beauty to a melody, but they can also completely trash an otherwise great song if the wrong harmonies are used or the singers that sing the harmonies don’t have some idea of how to fit their harmony parts into the total mix of the vocals.

There are many examples of bands that incorporate excellent harmony into their performances and these include the Gatlin Brothers, Oakridge Boys, Queen and just about any other band that you can think of that has made a success for themselves in the music industry. Many of these groups have sung together all there lives and some of these singers are related ie: brothers, sisters or cousins etc. The blend that is produced from vocalists that have this kinship is unsurpassed and unique. However the ability to sing harmony is not something mystical or unattainable and with some basic knowledge of fundamental theory, and a few tips to get started in the right direction anyone can eventually have the ability to find and sing perfect harmony. Here are a few tips to get started.

1. Learn what makes up a Major and a Minor Scale: A major scale is a set of eight successive notes within 1 octave, (8 notes) C major is named with the letters C,D,E,F,G,A,B,C and if you look on the keyboard of a piano they are all the white keys. The major scale, is made up of the intervals of this pattern: full step – full step – half step – full step – full step – full step – half step. If you notice on a piano there are no black key in between E and F or B and C these are said to be half steps and a whole step of course has a note in between ie: black key. In a minor scale, the pattern is: full step – half step – full step -full step – half step – full step – full step. Major scales are typically associated with happy, light hearted positive, and sometimes quite quick songs, and minor scales tend to be applied in more tragic, sad, slow and melancholic tunes.

2. Try and learn harmony singing with another singer that has some knowledge and can find a part for you that fits. The key is to find that part and sing it with conviction even though sometimes when you sing the part alone it may sound a little strange. Not every harmony part can sound as interesting as the melody as the notes sometimes do not change so as to fit in with the harmonic progression that is happening underneath the tune. Once you have a particular part fairly secure, it is very good practice to find another harmony part even though that part might not be your optimum part that you can sing as easily it is well worth while to at least be aware of the other parts by trying to find and sing them.

3. Develop and train with some ear training exercises. Ear training exercises will further help you in your quest to find out how to sing harmony. Play a note on the piano or another instrument and try to ascertain the pitch just by listening to it. Then, visualize the note in your mind and imagine singing the pitch. Play the note once more and, this time, try and sing the note yourself out loud. Following this, repeat the procedure, but sing a note three notes higher than the one note that was played. This is called a third and can either be a major third or a minor third depending on the chord structure of the tune. This could constitute what we would call and hear as harmony. You can try this will a fifth above as well and should be heard as very open interval. Then try an octave which is eight notes above the note played and has the same name, for example C and then a higher C eight notes above. This is the easiest interval to hear and sing but could become quite high in your register or even just a squeak. Now try the same exercise singing below the played note at an interval of a 5th (five notes lower than the played note) these harmonies should be fairly easy to hear as they fall into the triad of the harmony ie:1,3,5 or in the key of C (C,E and G)

There are some very good software programs that can be of big help in developing your relative pitch (ability to hear intervals) and other entertaining courses available for download or as DVD courses. These are merely some fundamental ideas for starting points in learning to sing harmony but are nonetheless helpful in knowing what to do to begin to understand how can I sing harmony better.

Self Publishing a Book to Kindle

March 31st, 2012

It has never been easier to self publish either your own or an edited third party book. All you need is a word processor program like Microsoft Word and an internet connection. The real beauty of self publishing a book to Kindle is that there are no downsides. You don’t have to spend heart aching months trying to interest a ‘paper’ book publishing house, and you avoid the disappointment of the almost inevitable rejection letters. Best of all you do not need to spend a cent.

The sales of e-books, particularly through Amazon Kindle, have risen to staggering levels. Indeed there are authors on Amazon who are selling more than a million copies of their work a year.

In addition publishing a book on Amazon’s Kindle platform is very profitable. As an original author you can generally expect to receive 70% of the sales price. Even as an editor publishing public domain / third party works you will still receive 35% commission. All you need to know is how the system works and the proper way to format your work. This is especially true where third party works are involved.

Like any new technology, it has to be understood. I know from my own experience that the internet is full of well meaning, but conflicting advice. I have previously published more than thirty books. When I first started I wasted a lot of time with advice that recommended I learn HTML, save work as ‘web page, filtered’ and zip files etc. These methods do work, but you end up doing the work twice. It simply is not necessary. Using MS Word alone is as much as you need.

There is something else to consider too. Even if you are adamant that you want your work on the printed page, there is still absolutely no reason not to publish to Kindle. There are many famous authors that use both media very successfully. My point is that by publishing a book to Kindle first, you can start to earn almost immediately providing you go about it the right way.

I do not have solid proof of this, but I’m willing to bet that the majority of new authors, or editors for that matter, don’t have a clue about SEO. ‘Search Engine Optimisation’ is generally not considered when publishing a book as it’s thought to be the domain of experts. If you want to maximise the value of your new book it needs exposure, in every way possible. In my opinion, and particularly where a new author is involved, that exposure should be cost free. PPC or ‘Pay per Click’ is a method of advertising where you are charged whenever someone clicks on your Google ad. These ‘paid for ads’ are extremely expensive. Just as an example. If you go to ‘Google AdWords Keyword Tool, External’ and type in a keyword phrase from this article; ‘publishing a book’, you will see that at the time of writing, if you were to start an ad campaign (where the ads appear, generally on the right of a Google search page) with this keyword you would have to pay £2.49 (UK) every time someone clicked your ad. This is an unthinkable price for most people. This is where SEO comes into its own.

By getting it right, and over time, your keyword phrase will appear on the left of the page, where it’s free.